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Cover of issue #214

Current Issue: #214 (Autumn 2012)

Canadian Literature's Issue 214 (Autumn 2012) is now available. The issue features articles by Germaine Warkentin, Susan Gingell, Deanna Reder, Allison Hargreaves, Daniel Heath Justice, Kristina Fagan Bidwell, Jo-Ann Episkenew, Andrea King, Joanne Leow, and Ana María Fraile, and new Canadian poetry & book reviews.

Book Review

Feminists and Methods

  • Louise Chappell (Author)
    Gendering Government: Feminist Engagement with the State in Australia and Canada. University of British Columbia Press (purchase at Amazon.ca)
  • Deborah Schnitzer (Author) and Deborah Keahey (Author)
    The Madwoman in the Academy: 43 Women Boldly Take on the Ivory Tower. University of Calgary Press (purchase at Amazon.ca)

Reviewed by Catherine Dauvergne

For an Australian and a Canadian, and a feminist academic with a brief history as a bureaucrat, reading these two books side by side has been intensely personal. All the more so because what the two have in common is immense breadth and depth – with each subsequent chapter or excerpt revealing more than I had imagined would be there.

In Gendering Government, Louise Chappell examines how feminist engagement with the state has differed in Australia and Canada. Her explanation for why this is so challenges the stock story of strategic choice, adding the ingredients of institutional form and political opportunity structures.

Chappell is a political scientist and I suspect that some of the more nuanced theoretical distinctions she delivers are most resonant for others in that discipline. I appreciated her broad approach to the state – considering it a multi-layered and multi-faceted entity, even when framing the analysis through neo-institutionalism. She offers analysis of the formation of late twentieth century feminist politics, of electoral politics, bureaucracies, courts, federal institutions, and NGOs. Her claim that this is the first work to offer this level of analysis is a strong one: she considers a range of institutions and time frames for both countries. It is a rich and full picture.

I am not well positioned to say whether her presentation gives enough detail for those who do not know some of this narrative already but I suspect it is. For me, this worked filled in parts of the story which had taken place while I was living the opposite half of it, and the result was deeply satisfying.

Madwoman in the Academy is a collection that no woman working in a university should be without. Although it is Canadian in focus, the experiences it presents are replicated everywhere. The contributions are arranged in five “movements” and I confess to reading the book randomly, dipping in and out of it over the space of a month. I will keep going back to it for solace and affirmation, as an antidote to hubris.

Contributions to Madwoman in the Academy come from women in all corners of the institution – staff, students, junior and senior scholars all have a voice. Each contribution is text, but beyond that they share only the uniting theme: female life inside the university. Short segments lend themselves well to reading while waiting for the cello lesson to end, soccer practice to begin, or during a lecture or department meeting, as the need arises.

The only thing that troubles me about this collection is the “madness” of its title, disturbing when what it contains is a record of rational reflection and careful choice, what Louise Chappell might call strategic response to the opportunity structure of an institution. These books differ most in their methodology. But each method is vital to a feminist rationality.



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MLA: Dauvergne, Catherine. Feminists and Methods. canlit.ca. Canadian Literature, 8 Dec. 2011. Web. 20 May 2013.

This review originally appeared in Canadian Literature #186 (Autumn 2005), Women & the Politics of Memory. (pg. 121 - 121)

***Please note that the articles and reviews from the Canadian Literature website (www.canlit.ca) may not be the final versions as they are printed in the journal, as additional editing sometimes takes place between the two versions. If you are quoting from the website, please indicate the date accessed when citing the web version of reviews and articles.

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