- David Adams Richards (Author)
Facing the Hunter: Reflections on a Misunderstood Way of Life. Doubleday Canada (purchase at Amazon.ca)
- Christine Ramsay (Editor)
Making It Like a Man: Canadian Masculinities in Practice. Wilfrid Laurier University Press (purchase at Amazon.ca)
- Todd Babiak (Author)
Toby: A Man. HarperPerennial (purchase at Amazon.ca)
Reviewed by Jennifer Hardwick
David Adams Richards begins Facing the Hunter: Reflections on a Misunderstood Way of Life with an anecdote about a Chardonnay-sipping poet who condemns hunting as
deplorable at a dinner party. Richards minces no words when it comes to his views of
men like this, whom he sees as
clever enough to have expensive cloth covering their arses, and pleased to carry with them a register of human complaint and a suspicion of certain jobs and of so, so many people. The passage epitomizes Richards’ disdain for those who disagree with hunting, and it nicely illustrates the tone of his book, which is described as both a memoir and a polemic. It also introduces two divergent representations of masculinity—the educated, sophisticated, arrogant urbanite, and the rugged, rural, outdoorsman—which are longstanding tropes of Canadian male identity.
Richards definitely identifies with and privileges the latter strain of masculinity. He comes from a long line of outdoorsmen and he has great reverence for those who have taken the time to learn about the lands they inhabit. His book is filled with stories of hunting which feature the land, and more specifically his beloved New Brunswick, as a central character. Richards’ New Brunswick is untamed, but not entirely unpredictable; good hunters know how to take their cues from their surroundings and the best hunters are so finely tuned they can almost predict an animal’s whereabouts on any given day. Richards portrays these hunters as heroes; they exude wisdom and skill, and serve as testament to how hunting can better a man. On the other hand, he shows nothing but distaste for men who hunt without awareness of, or deference to, their natural surroundings. In Facing the Hunter, these hunters are almost always tourists who come to the wilderness to kill for sport. They are an extension of the urban elite: entitled and completely ignorant of the principles that have guided Richards, his family, and his friends through decades of hunting—respect, integrity, and a deep understanding of the land. Ultimately these are the virtues that Richards’ seeks to highlight, and he does so with some success. While his sentimental view of hunting—and condescending view of all those who disagree with it—likely won’t win over any staunch opponents, his book does demonstrate that hunting is about humans’ relationship with the non-human world, not dominance over it.
Toby Menard, the central character in Todd Babiak’s novel Toby: A Man, could easily be the Chardonnay-sipping man in Richards’ anecdote. Toby is a cultured and emotionally stunted Montrealer who has devoted his life to teaching men about fashion, wine, and etiquette. He would be aghast at Richards’ brash opinions, and would likely pass out if he was forced to gut his dinner. Toby lives the perfect urban existence, hosting his own TV show by day and drinking and dining with his glamorous girlfriend by night. However, his life begins to unravel when his father attempts suicide, and within a few short weeks Toby finds himself disgraced, fired, abandoned by his girlfriend, and thrust into accidental fatherhood. Destitute and depressed, he takes his young charge and moves into his parents’ home in the suburbs. Slowly but surely, through experiences with fatherhood, family, and friends, Toby begins to realize what is really important in life. This process of maturation is clichéd and predictable at best; the story of a selfish but successful man who falls from grace only to discover what he has been missing is an old one, and there are few surprises in store for readers. However, Babiak’s writing is witty and smart, and he manages to inject both humour and heart into situations that could easily be read as trite. Toby’s memories of his ailing father singing
You Are My Sunshine to put him to sleep as a child are moving, and it is hard not to chuckle when Mr. Dempsky advises that Toby tell potential employers he is American because,
No one cares where you came from. You might win a literary award in Toronto for mooning over your origins, but you won’t get laid and you won’t get paid. Not in a real country. It is these moments of connection and humour that make Toby: A Man worthwhile. While the novel does very little that is new, it does inject life into an old story, and it offers an enjoyable portrayal of masculine identity in the process.
Both Richards and Babiak construct dichotomies between
improper masculinities; in Facing the Hunter, true men are those who take the time to form a relationship with the land, and in Toby: A Man, they are those who have moved beyond the trappings of commercialism to embrace authentic familial relationships. Making It Like a Man: Canadian Masculinities in Practice, a collection of essays edited by Christine Ramsay, seeks to address and complicate these forms of masculinity. The collection, which endeavors to
offer the international field of masculinity studies . . . the most recent research on the cultural, geographical, and historical specificity of Canadian masculinities in practice, investigates Canadian masculinities across disciplines, spaces, and time periods. Essays explore everything from national settlement propaganda in the late 1800s to Indigenous rap in contemporary Regina, and the authors make use of a wide array of analytical and theoretical approaches. It can be hard to make connections between all of these different strains, but ultimately the collection does its job: it proves that Canadian masculinities are varied and contextual, and it makes strong connections between gender and Canada’s social, political, and economic histories. While Making It Like a Man leaves room for the strains of masculinity seen in Richards’ and Babiak’s books, it also suggests that we need to move past the binaries (urban/rural, white collar/blue collar, bachelor/family man) that govern them in order to engage more fully with the complexity of male identity in Canada.
- Fear Factor by Laurie Kruk
Books reviewed: Blood Sports by Eden Robinson
- Theory Robots by Charles Barbour
Books reviewed: Copying Machines: Taking Notes for the Automaton by Catherine Liu, Negotiating Postmodernism by Wayne Gabardi, and The Ends of Globalization by Mohammed A. Bamyeh
always reconstructingby Maia Joseph
Books reviewed: Autobiography of Childhood by Sina Queyras
- La littérature québécoise, versant mâle by Benoît Trudel
Books reviewed: Au-delà du nom : La question du père dans la littérature québécoise actuelle by Lori Saint-Martin and Être ou ne pas être un homme : La masculinité dans le roman québécois by Victor-Laurent Tremblay
- Shake, Rattle, and Roll by Jon Kertzer
Books reviewed: Borderlands: How we talk about Canada by W. H. New, Scatology and Civility in the English-Canadian Novel by Reinhold Kramer, and Symptoms of Canada: An Essay on the Canadian Identity by Kieran Keohane
MLA: Hardwick, Jennifer. Reading Masculinity. canlit.ca. Canadian Literature, 15 June 2012. Web. 5 Dec. 2013.
This review originally appeared in Canadian Literature #216 (Spring 2013), General Issue. (pg. 143 - 145)
***Please note that the articles and reviews from the Canadian Literature website (www.canlit.ca) may not be the final versions as they are printed in the journal, as additional editing sometimes takes place between the two versions. If you are quoting from the website, please indicate the date accessed when citing the web version of reviews and articles.