Half a logo
Cover of issue #215

Current Issue: #215 Indigenous Focus (Winter 2012)

Canadian Literature's Issue 215 (Winter 2012) is now available. The issue features articles by Renate Eigenbrod, K. J. Verwaayen, Paul Murphy, Sylvie Vranckx, Mareike Neuhaus, Angela Van Essen, and Anouk Lang, and new Canadian poetry & book reviews.

Book Review

The New World

  • Virginia Frances Schwartz (Author)
    Initiation. Fitzhenry & Whiteside (purchase at Amazon.ca)

Reviewed by Beverley Haun

The young adult novel Initiation invites the reader in through a title page that states “The New World, Northwest Coast.” Immediately, with this descriptor, the reader is cued to a Eurocentric point of view. The novel fulfils this expectation by fusing a pre-contact Kwakiutl transformation myth of human sacrifice with conflicts rooted in contemporary issues of class, gender, power, and patriarchy, set in a 1440s coastal village. It is told in alternating chapters by three children, as they pass from childhood obedience to adult independence: the village Chief’s male and female twins Nanolatch and Nana, and Nana’s slave, Noh. The highly stylized and descriptive first person narration evokes past times and places, holding the reader at a distance from the emotions normally associated with the themes at play in the text: identity and fulfilment, hero and victim, forbidden love and sacrifice, intense initiation ritual and death. Such distance is welcomed in the face of the bleak existence of the female protagonists in this androcentric world. They are constructed as victims seeking escape. “Success in war depends upon the women at home.” Loveless marriages are arranged for political expedience. Class or captivity determines occupation regardless of desire or talent: weaver, fishwife, or slave. Nana finds herself with a choice between a forced marriage and a sacrificial suicide for her village. Noh cues us to Nana’s fate early on: “I have heard that salmon sometimes travel unknown streams and lose their way, die without spawning far from home. . . . She is just like them.” This morbid vision and its fulfilment is countered by Noh’s memories of her own village life before her capture when her gentle father shared power with her Shaman mother. The novel ends with hope: Nanolatch as the new chief chooses Noh and Noh’s “Way.”



Similar reviews

  • The Trickster Discourse of Thomas King by Marlene Goldman
    Books reviewed: Border Crossings: Thomas King's Cultural Inversions by Jennifer Andrews, Arnold E. Davidson, and Priscilla L. Walton
  • Boas and Darth Vader by David Brundage
    Books reviewed: Transmission Difficulties: Franz Boas and Tsimshan Mythology by Ralph Maud
  • Performing Community by Joanna Mansbridge
    Books reviewed: Theatre in Atlantic Canada by Linda Burnett and Popular Political Theatre and Performance by Julie Salverson
  • Envisioning Resurgence by Dory Nason
    Books reviewed: In the Belly of a Laughing God: Humour and Irony in Native Women’s Poetry by Jennifer Andrews and The Edward Curtis Project: A Modern Picture Story by Marie Clements and Rita Leistner
  • At the Water's Edge by Elizabeth Galway
    Books reviewed: Mud Girl by Alison Acheson and Mundy Pond by Roger Maunder


MLA: Haun, Beverley. The New World. canlit.ca. Canadian Literature, 8 Dec. 2011. Web. 20 June 2013.

This review originally appeared in Canadian Literature #185 (Summer 2005), (Stratton, Compton, Morra, Wylie, Gordon). (pg. 180 - 180)

***Please note that the articles and reviews from the Canadian Literature website (www.canlit.ca) may not be the final versions as they are printed in the journal, as additional editing sometimes takes place between the two versions. If you are quoting from the website, please indicate the date accessed when citing the web version of reviews and articles.

Half a logo

In Print

Online

Support the CanLit Tuition Award