Calls for Papers

Call for Papers — Swirling into a Field of Life: Works in Conversation with Y-Dang Troeung

EXTENDED Deadline: Sat. June 15, 2024 (PT)

Y-Dang Troeung, who passed away at the end of 2022, was always attentive to her own construction as a scholar, writer, and public intellectual. For Y-Dang, these positions were deeply imbricated with her experiences as a refugee, daughter, and mother shaped by the difficult histories of war, genocide, displacement, and resettlement. Y-Dang consistently wove the personal, historical, and political into her wide-ranging work, which included scholarly writings, memoirs, and film. She left behind a small but impactful archive: the academic book Refugee Lifeworlds: the Afterlife of the Cold War in Cambodia (Temple University Press, 2022); the trade-press book of autotheory, Landbridge [life in fragments] (Knopf, 2023); the special issue in Canadian Literature, “Refugee Worldmaking: Canada and the Afterlives of the Vietnam War;” the exhibition “Remembering Cambodian Border Camps, 40 Years Later: An Exhibition at Bophana Audiovisual Center”; and the short film Easter Epic (2024).

This special issue of Canadian Literature, a publication Y-Dang served as associate editor, seeks to celebrate and engage with Y-Dang’s capacious thinking on themes of migration, memory, diaspora, family, autobiography, war, race, illness, and justice within diverse fields such as Canadian literature, transnational Asian literatures, critical refugee studies, transpacific Cold War studies, and critical disability studies, just to name a few. We are interested in intellectually stimulating engagements, reflections, and musings that are genre-fluid, pushing the boundaries of academic and creative writing in ways that reflect Y-Dang’s own desire to explore (and to create) various forms of genre expression. Pieces may directly take up concepts that Y-Dang developed or utilized (refugee lifeworlds / worldmaking, refugee supercrip, kemleang chet (strength of the heart), muteness and the Kapok Tree (dam-doeum-kor), refugee aphasia, minor anecdotes, fragments, autotheory / family memoir, Cold War episteme, race-ability, asylum, among others). They may also be inspired by the embodied methodologies and the fragmentary, anecdotal writing styles Y-Dang practiced. They may be ignited, more generally, by the spirit of her thought and her way of being.

We welcome works that “converse” with Y-Dang in the Latinate meanings of conversari, “to keep company with,” and versare, “to raise or hold suspended.” We seek to create a collection of pieces (3,000-5,000 words), a chorus dwelling in togetherness, suspended on the page. We welcome works about reading and teaching Y-Dang’s work. We welcome works that flout conventions. We welcome works that are generatively experimental. We welcome works that show how Y-Dang’s work makes possible other kinds of works.

In Landbridge, Y-Dang decribes the aftermath of war and displacement as a spiral, a swirling into a “lifeworld, a meditative, repetitious space of beauty, creativity, and regeneration” (258). We hope this special issue can move with this swirl that was Y-Dang’s life and works, and can open further ongoing conversations with her.

 

Submission Guidelines

All submissions to Canadian Literature must be original, unpublished work. Essays should follow current MLA bibliographic format (MLA Handbook, 9th ed.).

Word length for articles is 3,000-5,000 words, which includes endnotes and works cited.

Please limit images accompanying the submission to those receiving substantial attention in the article. Note that contributors are responsible for obtaining permission to reproduce images in their article, and must pay any permission costs. The journal can provide a sample template for permission requests. Permissions must be cleared before publication. Please send low resolution images (small jpegs), in separate attachments. If the article is accepted, high quality images will be required.

Submissions should be uploaded to OJS by the deadline of Sat. June 15, 2024 (Pacific Time). Our Submission Guidelines can be found at canlit.ca/submissions.

 

Contact

Feel free to contact us to discuss ideas ahead of time:

Journal Editor: Christine Kim (cl.editor@ubc.ca)

Guest Editors: Chris Patterson (c.patterson@ubc.ca) and Vinh Nguyen (vinh.nguyen@uwaterloo.ca)

General Inquiries: can.lit@ubc.ca


Call for Papers — How to be at Home in Canada: Placemaking in Indigenous, Diaspora, and Settler Texts

— SUBMISSIONS CLOSED —

EXTENDED Deadline: January 19, 2024 (PT)

In the landmark 1997 Delgamuukw land claim brought before the Supreme Court of Canada (Delgamuukw v. British Columbia), the Court ruled that traditional Indigenous story was admissible in court as evidence of land ownership, legitimizing a kind of literary land claim. This special issue of Canadian Literature examines the way literary texts claim space and explore questions of belonging for Indigenous, diaspora, and settler populations.

The issue will consider narratives from communities in Canada that assert or contest relations between land, story, ownership and belonging—whether it be in rural or urban environments, and in forms as varied as traditional Indigenous stories or hip hop’s practice of paying tribute to home through “reppin’.” Processes of claiming or challenging narratives of belonging are clearly different for Indigenous, diaspora and settler populations, since one consists of original inhabitants; another of immigrants with ties to elsewhere; and a third of settler populations who examine an uneasy colonial relationship to the land, which ultimately contributes to either a sense of national belonging or alienation. Okanagan scholar, author, and activist Jeannette Armstrong writes, “I am claimed and owned by this land, this Okanagan” (174), and her poetry and prose embody that relationship. In Literary Land Claims (2015), settler scholar Margery Fee traces how texts use strategies to claim – or problematize the act of claiming – land, story, and belonging. How do other populations describe their belonging in territories claimed by Canada?

Black scholar Rinaldo Walcott, in his essay “Towards a Poetics of Black Space(s) in Canada,” signals the importance of such an undertaking: “It seems that one of the challenges facing contemporary Black Canadian art is to move beyond the discourse of nostalgia for an elsewhere and toward addressing the politics of its present location” (46-7). By centring the politics of the present, this issue seeks to demonstrate the ways writers address the politics of place through literary land claims. Connecting community to place in the multiple national imaginaries both engenders and demonstrates belonging, helping us redress systemic racism and assert the right to safe spaces. We will consider the politics of claiming stolen land, and the ways that class, race, cultural practice, gender, sexuality, and disability intersect into questions of territorial belonging, nationhood, and connection to place.

All papers examining space and place in relation to belonging in Canada are welcome, in particular those examining questions of race, cultural practice, gender, sexuality and disability. Papers dealing with “third space” or “liminal space” are also encouraged.

We particularly encourage submissions from emerging scholars. In an effort to include a wide range of perspectives and approaches, this issue will include shorter-form submissions combined with longer forms, and an opportunity for emerging scholars to engage in a mentorship process in implementing editorial comments after the double-anonymized peer-review process.

EDIT: A previous version of the poster for this call includes a typo for the word “Indigenous.” Please note that the link to learn more still works, but the title of the issue will feature the corrected spelling rather than the misspelling in the previous poster.
Submission Guidelines

All submissions to Canadian Literature must be original, unpublished work. Essays should follow current MLA bibliographic format (MLA Handbook, 9th ed.). Word length for articles is 4,000-8,000 words, which includes endnotes and works cited.

Please feel free to contact the journal editor, Christine Kim, at cl.editor@ubc.ca, or the special issue guest editors, Heather Macfarlane (hcm1@queensu.ca), Sophie McCall (smccall@sfu.ca) or Basmah Rahman (13bsr@queensu.ca) to discuss ideas ahead of time. Submissions should be uploaded to OJS by the deadline of January 1, 2024. Our Submission Guidelines can be found at canlit.ca/submissions. General questions about the special issue may be directed to can.lit@ubc.ca.

Please limit images accompanying the submission to those receiving substantial attention in the article. Note that contributors are responsible for obtaining permission to reproduce images in their article, and must pay any permission costs. The journal can provide a sample template for permission requests. Permissions must be cleared before publication. Please send low resolution images (small jpegs), in separate attachments. If the article is accepted, high quality images will be required.

 

Works Cited

Armstrong, Jeannette. “Land Speaking.” Speaking for the Generations: Native Writers on Writing, edited by Simon Ortiz, U of Arizona P, 1998, pp. 174-95.

Fee, Margery. Literary Land Claims: the “Indian Land Question” from Pontiac’s War to Attawapiskat. Wilfrid Laurier UP, 2015.

Lamer, Chief Justice. “Delgamuukw vs. British Columbia.” Canadian Native Law Reporter, vol. 1, 1998, pp. 14-97.

Walcott, Rinaldo. “‘A Tough Geography:’ Towards a Poetics of Black Space(s) in Canada.” Black Like Who? Writing Black Canada. 2nd revised ed., Insomniac Press, 2003, pp. 43-56.

Links

Read more about Canadian Literature‘s Submission Guidelines

Submit your work through Open Journal Systems (OJS)