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Canadian Literature's Spring 2010 issue (CL#204), "50th Anniversary Interventions", looks back on Canadian Literature's 50th Anniversary Gala, and celebrates Canadian culture with papers about Duncan Campbell Scott, book policies, copyright, civil war poetry, and new Québecois literature.
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Review of "Reasoning Otherwise" by Ian McKay
Review of "No Place Strange" by Diana Fitzgerald Bryden
Review of "This Way Out" by Carmine Starmino
Review of "asking questions indoors and out" by Anne Compton
Two B.C. Writers by Rebecca Raglon
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Slavery’s Painful Story by Afra Kavanagh
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Locating the Self by Alison Calder
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Amours by P. Collet
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Chaotic Fancies by Joseph Jones
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Afternoon and Evening by David Zieroth
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Not Born Cyd by Dave Margoshes
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Snake's Belly Turned Over by Cyril Dabydeen
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Protext by M. Travis Lane
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SHADOWS by Roger Nash
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A Poet Past and Future by Patrick Anderson
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Guilt: The Prison of This World by Jennifer Waelti-Walters
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If You Say So: Articulating Cultural Symbols of Tradition in the Japanese Canadian Community by Marilyn Iwama
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Maria Chapdelaine in Iberoamerica by Ben-Zion Shek
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Theatres of Law by Gary Boire
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Lullabies for Literature: An Interview with Heather O'Neill by Kristin McHale
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Editing The Cambridge History of Canadian Literature by Manuela Costantino
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Another Interview with Thomas King by Jordan Wilson
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An Interview with Thomas King by Margery Fee and Sneja Gunew
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Literary Scenes in Canada by Ian Rae
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A possessive love by Bernadette Calonego
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A Children's Book Author in Academe by Heather Kirk
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Canadian Biography: Theory, Practice, Form by Ira B. Nadel
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On Being Canadian by Rudy Wiebe
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Nick Faragher (Author)
The Well and Other Stories. Thistledown Press
Lien Chao (Author)
The Chinese Knot and Other Stories. TSAR Publications
Shauna Singh Baldwin (Author)
We Are Not in Pakistan. Goose Lane Editions
Reviewed by Richard Cassidy
"We men are all as bad; it is a sad truth," admits Rufus, in solidarity with his host Nathan's imputed cruelty, his not knowing what to do with his infant daughter except to wish her (albeit playfully) back to sleep until her mother returns from the kitchen. This performance of a certain stereotyped kind of masculinity, in the title story of Nick Faragher's first collection, will seem relatively innocent, even good-natured, compared with some of the really bad things that men do else [...]
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