Because it is a particularly dense, varied, and vigorously contested social imaginary, Montreal gives rise to uneven geographies and spatial instabilities that its pedestrian writers nimbly tread and transform. Montreal’s contemporary literary flâneurs and flâneuses are not blasé loiterers but gregarious foragers on the prowl for the composite character of a polyglot city that defies subordination to a unifying social script. Diversely situated in terms of class, race, ethnicity, gender, and language, the French and English novels of Leonard Cohen, Rawi Hage, Gail Scott, André Carpentier, Peter Dubé, and Hugh Hood trace altered paths of civic participation, where personal freedoms and group obligations intersect and, just as freely, disentangle and separate. Transient assembly, rather than institutional partisan affiliation, becomes a pedestrian mode of political agility. While they are anonymous, unsponsored and free subjects on the bummel from the encroachments of social identity and State categories, equally the strollers of Beautiful Losers, Cockroach, Heroine, Ruelles, The City’s Gates, and Around the Mountain belong to an informal civilian sentinel that, relying on the provision of public works, patrols the city’s liberties and modifies its contours. These peripatetic texts reveal that the public third spaces of casual encounter are not confined strictly to determinate sites but are as fluid and situational as the languages employed there. They not only “note while loitering” (the meaning of Carpentier’s portmanteau verb flânoter) but also help modify Montreal in a stealthy guerrilla urbanism that is remaking the contemporary North American city. And in the process they overstep narrative conventions.
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