Sieve

To view this content, click the "Download Full Issue" button from the table of contents.

Questions and Answers

About “Sieve”:

Our grade eight teacher—an amateur actor with a resonant voice—would stride back and forth reciting poetry. He held the class spellbound with such stirring poems as Shelley’s “Ozymandias” and Keat’s “Ode to a Nightingale”. One day, in a quieter mood, he read us Emily Dickinson’s “Because I could not stop for death”. I cannot say why that poem touched me so deeply. On the long walk home from school, the lines of my first poem came to me. It was a brilliant winter afternoon with a sharp wind, but I hardly felt the cold. I walked along the the cadences of the new poem, enjoying for the first time the artist’s detached attentiveness that was to become a preoccupation and a joy.

By the time I opened the front foor to our house the poem was fully formed. I dashed up to my bedroom and wrote down the lines before they could vanish from memory.


Please note that works on the Canadian Literature website may not be the final versions as they appear in the journal, as additional editing may take place between the web and print versions. If you are quoting reviews, articles, and/or poems from the Canadian Literature website, please indicate the date of access.