Terr-oir terror


sea still heaves
memory’s empty waste

sand in its lonesome expanse

what if so little else lies
unrubbled in Gaza

rivers still run, so they say
while

shatter, shatter exists in
open-air medical aid

to count the ones left once
familial

—who could bear such

aloneness?

 

Daphne Marlatt is an award-winning poet, dramatist, and novelist whose work has expanded the boundaries of Canadian writing for more than five decades. For her contributions to Canadian letters, she was awarded the Order of Canada in 2005, D. Litt. from the University of Western Ontario in 1996, DHumL. from Mount St. Vincent University in 2004, and D. Litt. from the University of British Columbia in 2026.


Questions and Answers

As a published writer, what are your tips or words of motivation for the aspiring poet? 

Listen, LISTEN to language, to the words that arise in the act of writing a line—not only meaning associations, but also their sound and language-music resonance, their echoes. Language is social.

 

What inspired or motivated you to write this poem? 

Clearly what’s going on, has been going on for far too long, in Palestine prompted both of these poems. Earlier this year, I read Colum McCann’s remarkable Apeirogon (2020), which details the friendship of two men, one Palestinian, the other Israeli, both of whom had daughters killed by the other side, and their individual and collective work for peace.


This poem “Terr-oir terror” originally appeared in Canadian Literature 264 (Spring 2026): 243.

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