Issue archives

#100 (Spring 1984)
25th Anniversary Issue

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Editorial

Edward R. Schreyer

• Preface (p. 3)
• Subjects: Publishing

Mavor Moore

• Something Valuable to Say (p. 3 - 6)
• Subjects: Canadian Studies

K. George Pedersen

• Higher Learning and National Culture (p. 6 - 7)
• Subjects: Education/Pedagogy, Literary Criticism

W. H. New

• Rhythms of Discovery (p. 8 - 10)
• Subjects: Canadian Studies
• PDF available

Articles

Clark Blaise

• Portrait of the Artist as Young Pup (p. 35 - 41)
• Subjects: Canadian Studies
• PDF available

Nicole Brossard

• Journal In Time (p. 50 - 55)
• Subjects: Journals

Matt Cohen

• Notes on Realism in Modern English-Canadian Fiction (p. 65 - 71)
• Subjects: Literary Criticism, Novel
• PDF available

Michael Cook

• Culture as Caricature: Reflections on a continuing obsession: Newfoundland (p. 72 - 78)
• Subjects: Cultural Geography
• PDF available

Marian Engel

• Why and How and Why Not and What Is This, About Starting Another Novel . . . (p. 98 - 102)
• Subjects: Novel
• PDF available

Timothy Findley

• The Countries of Invention (p. 104 - 108)
• PDF available

Keath Fraser

• Notes Toward a Supreme Fiction (p. 109 - 117)
• Subjects: Autobiography, Novel
• PDF available

Don Gutteridge

• Local Culture and the National Will (p. 124 - 129)
• Subjects: Culture, Nationalism
• PDF available

David Helwig

• Mere Self (p. 132 - 138)
• Subjects: Religion

Paul Hiebert

• Avenues of Research Suggested by the Fletchers Castoria Box (p. 139 - 146)
• Subjects: Poetry
• PDF available

Hugh Hood

• The End of Emma (p. 148 - 156)
• Subjects: Literary Criticism
• PDF available

Naim Kattan

• Le Jardin Reve (p. 164 - 170)
• Subjects: Religion
• PDF available

Henry Kreisel

• "Has Anyone Here Heard of Marjorie Pickthall?": Discovering the Canadian Literary Landscape (p. 173 - 180)
• PDF available

Margaret Laurence

• My Final Hour (p. 187 - 197)
• Subjects: Politics
• PDF available

Dorothy Livesay

• All Aboa-r-rd! (p. 200 - 203)
• PDF available

Andre Major

• Petite Histoire d'une Obsession (p. 207 - 211)
• PDF available

Eli Mandel

• Auschwitz: Poetry of Alienation (p. 213 - 218)
• PDF available

Daphne Marlatt

• Entering In: The Immigrant Imagination (p. 219 - 224)
• Subjects: Multiculturalism
• PDF available

Eric Nicol

• Confessions of a Commercial Writer (p. 242 - 243)
• PDF available

James Reaney

• Ontario Culture and—What? (p. 252 - 257)
• Subjects: Culture, Ontario
• PDF available

Jane Rule

• The Canadian Climate (p. 258 - 263)
• PDF available

Stephen Scobie

• Amelia, or: Who Do You Think You Are? Documentary and Identity in Canadian Literature (p. 264 - 285)
• Subjects: Literary Criticism, Novel
• PDF available

Josef Skvorecky

• Are Canadians Politically Naïve?: Some Observations by a New Canadian from the Old World (p. 287 - 297)
• Subjects: Politics
• PDF available

Audrey Thomas

• Basmati Rice: An Essay about Words (p. 312 - 317)
• Subjects: Language/Linguistics
• PDF available

Guy Vanderhaeghe

• Influences (p. 323 - 328)
• PDF available

Aritha van Herk

• The Art of Blackmail: Secrets and Seeing (p. 329 - 332)
• Subjects: Literary Theory
• PDF available

David Watmough

• On Coming to British Columbia: Some Personal & Literary Reflections (p. 339 - 345)
• Subjects: British Columbia
• PDF available

Rudy Wiebe

• On Death and Writing (p. 354 - 360)
• PDF available

George Woodcock

• A Cycle of Ind (p. 362 - 371)
• Subjects: Cultural Studies, Travel Writing
• PDF available

Poems

George Amabile

• Misericordia General (p. 11 - 18)

Margaret Atwood

• Heart Test with an Echo Chamber (p. 19 - 20)

Douglas Barbour

• In the Midnight Hours (p. 21 - 23)

Louky Bersianik

• Corps de noce corps de divorce (p. 24 - 29)

Earle Birney

• Still Life Near Bangalore (p. 30 - 31)

Earle Birney

• Ellesmereland 1983 (p. 31)

bill bissett

• Baybees Breth (p. 32)

bill bissett

• Me n Arleen Usd to Drive Evree Wher (p. 33)

bill bissett

• Whn Diefenbaker Went (p. 34)

Roo Borson

• By Flashlight (p. 42 - 43)

Marilyn Bowering

• Form and Variation (p. 44 - 45)

Elizabeth Brewster

• In October (p. 46 - 47)

Robert Bringhurst

• Two Variations (p. 48 - 49)

Michael Bullock

• Mountains (p. 56)

Anne Cameron

• Neuchatlitz (p. 57 - 58)

Anne Cameron

• Iris (p. 58 - 59)

Paul Chamberland

• L'Enigme (p. 60 - 61)

Paul Chamberland

• Un livre de morale (p. 61 - 62)

Cécile Cloutier

• Dix poemes (p. 63 - 64)

Jeni Couzyn

• Wind (p. 79 - 80)

Jeni Couzyn

• Ceremony of the Afterbirth (p. 80 - 81)

Jeni Couzyn

• Transformation of the Spirits (p. 81 - 83)

Frank Davey

• Riel (p. 84 - 89)

Barry Dempster

• Dreams of Desertion (p. 90 - 91)

Pier Giorgio Di Cicco

• Send Me a Postcard (p. 92)

Mary Di Michele

• Moon Sharks (p. 93 - 94)

Gwladys Dowries

• Scripts (p. 95 - 96)

Gwladys Dowries

• The Return (p. 97)

Marya Fiamengo

• Yes (p. 103)

Len Gasparini

• Still Life (p. 118)

Robert Gibbs

• Who Asked Me to be a Reader of Entrails? (p. 119)

Kristjana Gunnars

• Poverty Lines (p. 120 - 121)

Ralph Gustafson

• The Road by the Lake (p. 122)

Ralph Gustafson

• At the Zoo (p. 123)

Phillipe Haeck

• Ou sont les manteaux (p. 130 - 131)

Daryl Hine

• Palinode (p. 147)

D. G. Jones

• Variations (p. 157 - 163)

Joy Kogawa

• In the Forest (p. 171)

Joy Kogawa

• Grief Poem (p. 171 - 172)

Robert Kroetsch

• Advice to My Friends (p. 181 - 182)

M. Travis Lane

• Corduroy (p. 183)

Patrick Lane

• Variations (p. 184 - 186)

Irving Layton

• New Year's Poem for Veneranda (p. 198)

Irving Layton

• Jude the Obscure (p. 198)

Dennis Lee

• Riff (p. 199)

George McWhirter

• Wood Edge (p. 204 - 205)

Gwendolyn MacEwen

• Barker Fairley and the Blizzard (p. 206)

Kim Maltman

• The Technology of the Persistence of Memory (p. 212)

Daphne Marlatt

• [from] Touch to My Tongue (p. 223 - 224)

Anne Marriott

• [from] The Danish Sketches (p. 225 - 227)

Tom Marshall

• [from] Dreamfields (p. 228 - 229)

Seymour Mayne

• At the Monastery of the Cross (p. 230)

Seymour Mayne

• Sacrifice (p. 230)

Ron Miles

• Class of '62: Re-union (p. 231)

Ron Miles

• Living Together (p. 232)

Erín Moure

• Siksika (p. 233)

Erín Moure

• Be Sociable (p. 234)

Erín Moure

• Shocks (p. 234 - 235)

Susan Musgrave

• Adrift (p. 236)

Suniti Namjoshi

• Triptych (p. 237 - 238)

bpNichol

• Draft of an Epilogue to "Inchoate World" (p. 239 - 241)

Michael Brian Oliver

• Pigs (p. 244 - 245)

Michael Ondaatje

• Proust in the Waters (p. 246 - 247)

Michael Ondaatje

• Birch Bark (p. 247)

Richard Outram

• Dr. Dolittle (p. 248 - 249)

Al Purdy

• Bestiary (p. 250 - 251)

David Solway

• The Oracle (p. 298)

Robin Skelton

• Note on the Economy (p. 298)

Glen Sorestad

• Goldfish and Bumblebees (p. 299)

Raymond Souster

• Saturday Afternoon at Kensington Market (p. 300)

Francis Sparshott

• Santayana (p. 301)

Andrew Suknaski

• Tony's Crabapple Tree (p. 302 - 305)

Andrew Suknaski

• Floating Entry / (p. 305 - 306)

Anne Szumigalski

• Clarrie (p. 307 - 308)

Anne Szumigalski

• Sandblind at the Crossing (p. 308 - 309)

Sharon Thesen

• Turgenev's Huntsmen (p. 310)

Sharon Thesen

• Poem in Memory of an Earlier Poem (p. 310 - 311)

Eva Tihanyi

• Autobiography (p. 318)

Eva Tihanyi

• Solar Fugue (p. 318 - 319)

Eva Tihanyi

• Breakthrough (p. 319 - 320)

Lola Lemire Tostevin

• Not a Poem (p. 321 - 322)

Michel van Schendel

• Poeme (p. 333)

Michel van Schendel

• Lacis (p. 333 - 334)

Michel van Schendel

• Répartition (p. 334)

Michel van Schendel

• Suite pour un silence (p. 334 - 335)

Miriam Waddington

• The New Seasons: Light and Dark (p. 336 - 337)

Miriam Waddington

• The Gift (p. 337 - 338)

Wilfred Watson

• Diana Rigg (p. 346 - 347)

Wilfred Watson

• Sonnet Times Three (p. 347 - 348)

Tom Wayman

• Wood (p. 349 - 350)

Phyllis Webb

• Following (p. 351 - 352)

Phyllis Webb

• Performance (p. 352 - 353)

Christopher Wiseman

• Kensington Gardens, May 1982 (p. 361)

Derk Wynand

• Twin (p. 372)

Derk Wynand

• Outward from the Pool's Dry Edge (p. 372 - 373)

Derk Wynand

• The Other Version (p. 373)

Dale Zieroth

• The Party Line (p. 374 - 375)