The violent legacies of modern citizenship continue to resurface in debates today about the values of birthright citizenship, belonging and statelessness. Velma Demerson’s Incorrigible, an autobiographical text about a young, white woman who is incarcerated and experimented on because she has a Chinese fiancé in 1939, returns us to the first half of the twentieth century, and reveals the paradoxes, and circular logic, of citizenship discourse in Canada.
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