This articles proposes a fresh reading of the classic Canadian novel, Wild Geese, by Martha Ostenso. By way of Anna Tsing's discussion of the cross-species influence of crops on the development of Western agricultural societies, I reconceive of the novel's surly antagonist Caleb as beholden to the fruits of his labour. I thereby develop a reading of Ostenso's frontier narrative that takes seriously the role of other-than-human actors in the novel, which counters scholarship that ascribes solely symbolic status to the novel's plantlife, while also revealing the novel's instrinsic anxiety regarding the limitations of settler belonging.
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