Rina Lasnier et la Connivence des Signes
River of Now and Then: Margaret Laurence’s Narratives
Robert Finch and the Temptations of Form
Robert Hayman’s “Quodlibets”
Robert Kroetsch and Aritha van Herk on Writing & Reading Gender and Genres: An Interview
Rochdale College: Power and Performance
Roderick Haig-Brown
Romans de la parole (et du mythe)
Roots and Routes in a Selection of Stories by Alistair MacLeod
Roughing It in Bermuda: Mary Prince, Susanna Strickland Moodie, Dionne Brand, and the Black Diaspora
This paper considers the history of transatlantic slavery that haunts early Canadian literatures by exploring the uneasy relationship between Susanna Strickland Moodie and the slave narrative, The History of Mary Prince (1831), for which Moodie acted as amanuensis. Rather than framing Moodie as a settler writer, this paper asks: how might the dominant discourse of English Canadian literature be revised if we understand her instead in a diasporic context? It traces a different trajectory for Canadian letters by considering the intertextual conversations between Roughing It in the Bush (1852) and Prince’s slave narrative, and explores Moodie’s erasures of early black presences from the Canadian landscape. This paper also considers how both Prince and Moodie resonate in contemporary black Canadian writers like Dionne Brand. By examining several of Brand’s works, I argue that her writing, in its refusal of many of the dominant discourses of Canadianness, becomes deeply implicated in them.
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