Urban Heterotopias and Racialization in Kim Barry Brunhuber’s Kameleon Man
Abstract: This paper reads Kim Barry Brunhuber’s novel Kameleon Man as an important exploration of different heterotopian spaces offering a reflection of our
contemporary society in terms of the production and consumption of culture,
racialization and identity. Stacey Schmidt, a twenty-one year-old black
student, appears as a modern flâneur moving in urban landscapes from one
heteretopia to the next in his quest for success in the fashion industry as a
mixed-race model. He is also acutely aware of his own shifting positionality
hinging on the ambiguous sign and site of the hyphen, which has been described
by Fred Wah as
that marked (or unmarked) space that both binds and divides. This heno-poetic (Grk heno-, one) punct, this flag of the many in the one, yet 'less than one and double' (Bhabha 177), is the operable tool that both compounds difference and underlines sameness(Faking 72-73). Using an interdisciplinary methodology, I will draw from the European philosophical tradition of Foucault and Benjamin as well as from urban studies, and will put these in conversation with some recent Canadian critical mixed-race theory in order to bring into view the specificity of Stacey’s experience as an urban, racialized, mixed-race Canadian man.
Urban Undressing: Walter Benjamin’s “Thinking- in-Images” and Anne Michaels’ Erotic Archaeology of Memory
Abstract: “A Berlin Chronicle,” Walter Benjamin’s exploration of the spaces that house his childhood memories, contains a passage that resonates profoundly ...
Used People: La Rivie?re sans repos as Postcolonial Poverty Narrative
Abstract: At roughly the same cultural moment in which La Rivière sans repos was set, one of Canada’s most prominent economic ...
Ut Pictura Poesis: From Alberto Gironella to Malcom Lowry
Abstract: Mais si, sans se laisser charmer, Ton oeil sait plonger dans les gouffres, Lis-moi, pour apprendre à m’aimer. BAUDELAIRE “The ...