In the Name-of-the-Father: Robert Zend’s “Oäb” (or the up(Z)énding of trïdution)
Abstract: 1, Robert Zend has applied with great wit all the gestures of mime, the optical illusions of Escher’s logic, the ...
In the Raw: The Poetry of A. W. Purdy
Abstract: ?[wo POETRIES are now competing, a cooked and a raw. .. . There is poetry thlawt can only be studied, ...
In the Semi-Colon of the North
Abstract: GI OING STRAIGHT NORTH AS AN ARROW, had I looked at a map to shoot my direction and progress, the ...
In the Whale’s Belly: Jay Macpherson’s Poetry
Abstract: JAY MACPHERSON’S FIRST MAJOR BOOK of poems, The Boatman, was published in 1957 by Oxford University Press and then republished ...
In Tune with Tomorrow
Abstract: WHILE GROWING UP ON A FRASER VALLEY farm, I liked going for the cows. Along the trails from the pasture, ...
Inceste, Onrisme et Inversion: “Neige Noir” et l’identite apocryphe
Abstract: DANS L’OEUVRE ROMANESQUE d’Aquin, une présence obsé- dante ne cesse de s’inscrire sourdement, celle de l’emprise maternelle. Présence qui demeure ...
Indexing Vancouver: Image Bank’s International Image Exchange Directory
Abstract: The Image Bank International Image Exchange Directory claims to have been published by Talonbooks in 1972, but it does not feature in histories of that quintessential west coast press. As a response to this absence, this article explores the intermedial practices and social scenes surrounding the press, Vancouver’s Intermedia Society (1967-1972), and related sites where the city’s countercultures and neo-avant-garde came into contact. A visual analysis of two photographic images printed in the Directory, one urban, one rural, reveals a social imaginary for Vancouver in which the city flips into different registers of semiotic coding at local, national and transnational levels. The city features in the imaginary geographies of a neo-avant-garde interested in the psychological and cultural impact of media technologies, as per Marshall McLuhan’s “global village,” of transnational media space. Conversely, given a context of post-Centennial cultural nationalism, the Directory also indexes the city within a counter-environment where a utopian state of queer futurity could thrive.
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Indigeneity and Diversity in Eden Robinson’s Work
Abstract:
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Indigenizing Author Meets Critics: Collaborative Indigenous Literary Scholarship
Abstract: Part 4 of "Thinking Together: A Forum on Jo-Ann Episkenew’s Taking Back Our Spirits: Indigenous Literature, Public Policy, and Healing."
The original live forum on Jo-Ann Episkenew’s Taking Back Our Spirits: Indigenous Literature, Public Policy, and Healing brought together the author of only the second monograph by an Indigenous literary critic in Canada with three critics, who discussed her recently published work in front of members of the Canadian Association of Commonwealth Literature and Language Studies (CACLALS) and the Association of Bibliotherapy and Applied Literatures (IABAL). Following the live event, the panelists submitted written versions of their contributions to the convenors of the forum, allowing all centrally involved to reflect further on the thoughts of the other panelists and of those in the audience who offered further ideas.
The original live forum on Jo-Ann Episkenew’s Taking Back Our Spirits: Indigenous Literature, Public Policy, and Healing brought together the author of only the second monograph by an Indigenous literary critic in Canada with three critics, who discussed her recently published work in front of members of the Canadian Association of Commonwealth Literature and Language Studies (CACLALS) and the Association of Bibliotherapy and Applied Literatures (IABAL). Following the live event, the panelists submitted written versions of their contributions to the convenors of the forum, allowing all centrally involved to reflect further on the thoughts of the other panelists and of those in the audience who offered further ideas.
To read the full article online, visit our OJS site.
Indigenous Literary Expressions of Matriarchal Worlding as Kinship
Abstract: This article documents my journey into the world of Indigenous women’s literatures, to offer visions of matriarchal worlding as kinship. Selected writings offer Indigenous feminist analyses within the context of the white heteronormative violence that shapes our contemporary world. Indigenous women’s literatures are resonant and offer a felt sense of home and community. As a segue into matriarchal worlding as kinship, I prompt readers to consider the implications of applying feminist analysis to Canadian literature before offering a textual analysis of Lee Maracle’s Ravensong. Specifically, I urge readers to consider the critical lessons that Ravensong offers us about the state of our world today and imagine the altered possibilities of matriarchal worlding. The texts inspire readers to humbly journey with time, interrogate the past that has so powerfully shaped our current realities, and recall the story medicines offered by Maracle as a way to envision just and empowered futures.
To read the full article online, visit our OJS site