I Just See Myself as an Old-Fashioned Storyteller: A Conversation with Drew Hayden Taylor
Abstract: Sandy Tait (ï³ï´): Can you give us a rundown on where you came from, and how you got to be ...
I Want Edge: An Interview with Timothy Findley
Abstract: KRUK: I’d like to start by talking a bit about the short stories—a relatively neglected part of your canon. What ...
I Would Try to Make Lists: The Catalogue in Lives of Girls and Women
Abstract: I would try to make lists,” says Del near the end of Lives of Girls and Women, and she lists ...
I. V. Crawford’s Prose Fiction
Abstract: CRAWFORD’S LITERARY RÉPUTATION will be based, as she expected it would, upon her poetry and especially upon her verse narratives. ...
If the Dress Fits: Female Stereotyping in Rosanna Leprohon’s “Alice Sydenham’s First Ball”
Abstract: T h e pages of The Literary Garland (1838-1859), one of Canada’s early literary periodicals, echoed with romance, sentiment, melo- ...
If You Say So: Articulating Cultural Symbols of Tradition in the Japanese Canadian Community
Abstract: In a house I do not own In a country of isolation In a land that belongs to others I ...
Illusion and an Atonement: E. J. Pratt and Christianity
Abstract: MloRTHROP FRYE, Desmond Pacey, and John Sutherland, three important Canadian critics, suggest in their comments on E. J. Pratt that ...
Image and Mood: Recent Poems by Michael Bullock
Abstract: ?IHREE REGENT COLLECTIONS attest to the current creative IHR: efflorescence of Michael Bullock, who has been called “one of the ...
Imagining a North American Garden: Some Parallels & Differences in Canadian & American Culture
Abstract: In the beginning (he said) God created me and you and put us in a second Eng- lish garden Victoria ...
Imagining an Africa That Never Was: The Anti-Racist / Anti-Imperialist Fantasy of Charles R. Saunders’ Imaro and its Basis in the Africentric Occult—A Note
Abstract: Despite the cautions of Frantz Fanon (and others), Afrocentrists have continued to mine the African past to find and assert proof of Black Genius and achievement to refute the Negrophobic propaganda of White Supremacy. African-Canadian Fantasy-genre novelist Charles R. Saunders follows an African-American precursor—Frank Yerby—in limning a pre-Transatlantic Slave Trade Africa that is magical—either in authorial imagination or in actual history. While these approaches to writing Africa may instill greater pride and self-awareness in, presumably, black readers, both Saunders and Yerby also simply "blacken," as it were, the racialist imaginings of white authors like Edgar Rice Burroughs, whose strictures would have found support from Euro-American occult beliefs. In a sense, though striving to author a literature of Black Pride, both Saunders and Yerby integrate themselves with Euro-American occult fantasies. Yet, such may be the contradictory conceptualization of "Afrocentrism."
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