The Third Eye: Jay MacPherson’s The Boatman
The Thought of George Monro Grant
The Three Tropographies of Ronald Wright’s A Scientific Romance
The Transmutation of History
The Travelling Life: An Account of some Pits and Peaks in a Three-Week Poetry Reading Tour of Canada
The Trick of Divining a Postcolonial Canadian Identity: Margaret Laurence Between Race and Nation
The Trope of the Translator: (Re)Writing History in Heather O’Neill’s The Girl Who Was Saturday Night and Claire Holden Rothman’s My October
This essay focuses on two novels that deal with major cultural clashes in Quebec: Heather O’Neill’s The Girl Who Was Saturday Night (2014), set on the eve of the 1995 referendum, and Claire Holden Rothman’s My October (2014), which considers the October Crisis of 1970. Rather than shore up the divisions traditionally associated with these events, I argue that both novels encapsulate the anglophone desire for rapprochement within the context of Quebec’s evolving social and political dynamics.