CanLit Books



Portraits of Canadian Writers

Portugese Women in Toronto

Positionings

Positions and Senses

Positions to Pray In

Post

Post-Apocalyptic Culture: Modernism, Postmodernism, and the Twentieth-Century Novel

Post-Colonial Literature in English: History, Language, Theory

Post-Colonial Literatures in English: History, Language, Theory

Post-Colonial Transformation

Post-Communist Stories: About Cities, Politics, Desires

Post-Multicultural Writers as Neo-cosmopolitan Mediators

Post-Sixties Nocturne

Postcards Home

Postcolonial Discourse and Changing Cultural Contexts: Theory and Criticism

Postcolonial Hospitality: The Immigrant as Guest

Postcolonial Imaginings: Fictions of a New World Order

Postcolonial Life Narrative: Testimonial Transactions

Postcolonial Subjects: Francophone Women Writers

Postcolonialism: My Living

Postcolonialism: My Living

Postcolonizing the Commonwealth: Studies in Literature and Culture

Postmodern Canadian Fiction and the Rhetoric of Authority

Postmodern Currents: Art and Artists in the Age of Electronic Media

Postmodern Fiction in Canada

Postmodern Genres

Postmodernism and China

Postmodernism and Its Critics

Postmodernism and Japan

Postmodernism: A Reader

Postmodernism: A Very Short Introduction

Postmodernism: A Very Short Introduction

Postmodernism: The Key Figures

Postmodernity: Key Ideas

Posts and Pasts: A Theory of Postcolonialism

Poststructuralism: A Very Short Introduction

Poststructuralism: A Very Short Introduction

Potlatch

Pounce De Leon

Pour ce qui reste de la beauté du monde

Pour de Vrai, Pour de Faux

Pour Enfants

Pour suivre un époux : Les réctis de voyages des couples au XIXe siècle

Pour tourner la page

Pour un bilan prospectif de la recherche en littérature québécoise

Pour une croûte

Pour une lecture du roman québécois

Pour une poésie impure

Pour une Poétique de la Science-Fiction

Pourquoi Bologne

Pourquoi ça gondole

Pourquoi cracher sur la lune?

Pourquoi j’ai fondé Le Devoir

Pourquoi j’ai fondé Le Devoir: Henri Bourassa et son temps

Pourquoi les moutons frisent

Powassan’s Drum: Poems of Duncan Campbell Scott

Power in the Blood: Land, Memory, and a Southern Family

Power Politics

Power Sources

Power through Testimony: Reframing Residential Schools in the Age of Reconciliation

Power, Race and Gender in Academe: Strangers in the Tower?

Powerful Images: Portrayals of Native America

Powerland Minds

Powerplay: Toys as Popular Culture

Practical Handbook of Canadian French

Practical Jean

Practiques d l’ici, altérité et identité dans six romans québécois des années 1989-2002

Practising Femininity: Domestic Realism and the Performance of Gender in Early Canadian Fiction

Pragmatic Plagiarism: Authorship, Profit, and Power

Prague

Prague Blues: The Fiction of Joseph Skvorecky

Praha

Praha

Prairie Fire: The 1885 North-West Rebellion

Prairie Harvest

Prairie Women

Prairie Women: Images in American and Canadian Fiction

Prayers of a Very Wise Child

Praying for Rain: Timothy Findley’s Not Wanted on the Voyage

Pre-Raphaelitism: A Bibliocritical Study

Precarious Present/Promising Future?: Ethnicity and Identities in Canadian Literature

Precautions Against Death

Precious Energy

Predicting the Next Big Advertising Breakthrough Using a Potentially Dangerous Method

Prefaces to the Diaphora: Rhetorics, Allegory, and the Interpretation of Postmodernity

Preludes & Fugues

Prendre acte

Preparatifs d’ɉcriture

Preparing

Preparing for the Arc

Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance

Presence de Paul Bourget au Canada

Présences de Ducharme

Présences intermittentes des Amériques

Preserving What is Valued: Museums, Conservation and First Nations

Price

Pride and Fall

Prière à Blanc

Primal Sketches

Prime