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Performing the Divided Self: The Refugee Theatre of Ahmad Meree1
By Ric Knowles
Published in Canadian Literature: 252 Canadian Literature (2023): 57-78.
“Our symbiotic relationship with the stories that we tell”: An Interview with Michael Crummey
By Cynthia Sugars
The Poetics and Politics of Snow: Re-Orienting Discourses of Gendered Violence and Spousal Sponsorship in Anita Rau Badami’s Tell It to the Trees
By Mariam Pirbhai
“Treaty to Tell the Truth”: The Anti-Confessional Impulse in Canadian Refugee Writing
By Carrie Dawson
“Tuned every ear towards a tiny lengthening of light”: Listening for Weak Hope in John K. Samson’s Winter Wheat
By Bronwyn Malloy
“The mountain’s neck moans” Mourning Places in Robert Bringhurst’s “New World Suite No. 3” and Tim Lilburn’s Assiniboia: Two Choral Performances and a Masque
By
Discomforted Readers and the Cultural Politics of Genre in Lawrence Hill’s The Illegal
By Erin Goheen Glanville
Climbing Mount Everest: Postcolonialism in Culture of Ascent
By Stephen Slemon
Guy-Guys, CWILA, and Going Down the Hall to the Archives
By Laura Moss
Anxious Speculation: Vancouver(ism), Indebtedness, and Everyday Urban Affect
By Christopher Gutierrez